Outerworld Train

So I suppose you want to ask me why I left town. I could tell you it was because I caught my girlfriend cheating on me and she used it as a reason to kick me out of our apartment. I could also tell you it was because I had recently been made redundant and had been out of a job for three months with no prospects. But the truth was, it was completely unplanned. One minute I was riding the Brisbane City train, the next minute I wasn’t.

***

There was a tap on the shoulder from a large shadow that pulled me out of my sobbing. Without even looking up, I pulled out my train card and handed it over as I heard a gruff, “Excuse me.”

I looked up to make eye contact, but I yelped instead. Hunched over me stood a giant one-eyed ogre in a blue and white uniform, complete with a little hat. I squealed and tried to escape inside the gap between the seat and the train car. It was as futile an effort as it sounds.

“Miss?” his (her?) eye blinked at me.

I opened my mouth to say something. Where am I? What is this? Am I dead? But nothing came out.

I glanced down the train car. So many eyes were on me. Among them, a few trolls, a trio of chatty minotaurs, a drunken unicorn, a gang of fairies, and two werewolves eating what appeared to be Magnum ice cream minis.

“wha- wha,” my brain might have broke. Maybe I fell asleep?

“You’ve caught the outerworld train. I’m I guess what you call a tour guide,” she said. I decided the ogre was female, not that gender probably mattered to ogres. I blinked at her. 

She took a heavy sigh, like she said this more than she cared to, “This train only allows sponsored mortals that have nothing keeping them in their world. For whatever reason, one of the beings here has funded your travel to the outerworld.”

The ogre sat in front of me and continued. “The basic gist of it is this. Once you leave this train, you will no longer be human. With humanity comes all those nasty emotions and morals and whatnot. A sponsor, well, they can feel when your bond with humanity is drifting and use the opportunity to grow their ranks. Generally.”

I peered out at the nameless faces. Voices rose and fell, enticing me to join them.

The ogre sensed my growing acceptance and continued, “Your sponsor is different. Their kind does not seek to increase their ranks. Only to give a mortal the option to move into the outerworld. So they have decided to remain anonymous.”

My eyes fell on a sad, green dryad at the other end of the cab. She sensed my gaze and met it. 

“As your guide, I can arm you with all the information you need to make an informed decision,” the she-ogre kept talking, but I could no longer hear her words. Instead, a song rose through me, strong and lustful. Its salacious melody pulled me toward the dryad. We stood simultaneously from both ends of the train car and swayed in tandem. Our bond was nothing like I’d ever felt before. Intense but eternal, magical but everyday. 

We ran into each other’s arms, passionately dancing and kissing and causing a scene. Our connection deepened, and our minds melded together. She showed me her past, her loneliness, and how the dryads mated for life. She showed me how she had found me, fell in love, sponsored my travel but didn’t want me to feel obligated to her. She just wanted me to be happy. Our dance quickened with the beat of the music as I whispered, “I love you.”

Our passions consumed us. With every touch – kiss – pirouette, I allowed myself to become more like her. Vines covered my legs and arms, tan skin turned emerald. I tore away my clothes, eager to strip away the remaining vestiges of my humanity, revealing foliage in its place. In mere minutes, the transformation was complete.

The train came to a stop and the she-ogre announced, “Final stop for the dryads.”

Gleefully, I joined my mate, hand-in-hand, into the forests of the outerworld. We danced and sang and made love under the trees forever and always.

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8 thoughts on “Outerworld Train

  1. Melony, I ADORE the central idea of this. I really want you to draft and redraft this several times over and extend the story. It’s so rich and wonderful. In re this week’s prompt however, the first paragraph was quite different to the rest and I found myself wondering who the m/c was talking to (and why they’d be concerned with why the m/c had left… or where she’d left). The tour guide prompt was also a little tenuous. I get that it was a neat way to explain the ticket-master role to the metamorphosing dryad, but the cyclops wasn’t really a tour guide. So, while it doesn’t smoothly fit this week’s requirements, it’s a piece of writing I really hope you’ll shape and submit somewhere.

    Liked by 1 person

    • Thanks, Asha!! I probably knew from the moment I posted it, that it was not really going to meet the prompt at all. Haha I got carried away by the story before I knew it. I think I will definitely take your advice, though, and work on making this a longer piece with lots and lots of drafts. Hehe Thanks for the amazing feedback! 😃

      Liked by 1 person

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